ROB ZOMBIE LET THE BODIES HIT THE FLOOR. ROB ZOMBIE LET THE


Rob zombie let the bodies hit the floor. Cork flooring for bathroom.



Rob Zombie Let The Bodies Hit The Floor





rob zombie let the bodies hit the floor






    rob zombie
  • Rob Zombie (born Robert Bartleh Cummings; January 12, 1965) is a musician, film director, screenwriter and film producer. He founded the heavy metal band White Zombie and has been nominated three times as a solo artist for the Grammy Award for Best Metal Performance.

  • Face ripped off by Joe Zombie, then he eats his brain.





    hit the
  • A handicap which allows one driver to leave first in an illegal street race. No flagger is utilized rather the race begins once the driver leaves the starting line and ends at a predetermined point.





    bodies
  • (bodied) possessing or existing in bodily form; "what seemed corporal melted as breath into the wind"- Shakespeare; "an incarnate spirit"; "`corporate' is an archaic term"

  • The physical and mortal aspect of a person as opposed to the soul or spirit

  • (body) invest with or as with a body; give body to

  • The physical structure of a person or an animal, including the bones, flesh, and organs

  • (bodied) having a body or a body of a specified kind; often used in combination; "strong-bodied"; "big-bodied"

  • A corpse





    floor
  • All the rooms or areas on the same level of a building; a story

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"

  • The lower surface of a room, on which one may walk

  • A level area or space used or designed for a particular activity

  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"











rob zombie let the bodies hit the floor - Hellbilly Deluxe




Hellbilly Deluxe


Hellbilly Deluxe



ROB ZOMBIE Hellbilly Deluxe (1998 European 13-track CD featuring the first solo album from Rob with the help of White Zombies John Tempesta Mike Riggs and Rob Blasko Nicholson. Includes the singles Dragula Living Dead Girl and Superbeast complete with a picture sleeve booklet which reeks of grindhouse goodness!)

Malevolent megalomaniac or eerie artiste? Rob Zombie is a bit of both. With spooky metal music that's as colorful and kitschy as its comic art, the singer's solo debut bears more than a little resemblance to his band of many years, White Zombie. These 13 tracks (yeah, there just had to be 13!) continue to explore Zombie's fascination with psychotic noise, pummeling grooves, campy samples, and all things horrific. Instead of just playing dictator, however, this astrocreep allows space for cohorts such as guitarist Danny Lohner and drummers John Tempesta and Tommy Lee to shine darkly. He also shares artistic credit for the LP's elaborate 24-page booklet. Zombie's finely crafted disc is heavy-metal thunder that's turbocharged for the new millennium. --Janiss Garza










85% (7)





ROB ZOMBIE




ROB ZOMBIE





ROB ZOMBIE
PRESS AT SWEDEN ROCK
10TH OF JUNE 2011
PICTURE BY GUNTHER MOENS
©Roadside Surgery 2011











ROB ZOMBIE




ROB ZOMBIE





ROB ZOMBIE
LIVE AT SWEDEN ROCK
10TH OF JUNE 2011
PICTURE BY GUNTHER MOENS
©Roadside Surgery 2011









rob zombie let the bodies hit the floor








rob zombie let the bodies hit the floor




Halloween II (Unrated Director's Cut)






Rob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton). Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.

Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.
Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul Gaita










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